📉 Canal+ Slashes Film Pre-Buys, But Still Tops French Cinema Funding
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Tuesday January 13th • HAPPY NEW YEAR!
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Cartoon Movie 2026: The selection committee selected 50 projects for the upcoming edition, with French animation studios leading the lineup with 15 titles.
The cinema ticket platform Ozzak expands its Belgian pilot with new partners to broaden its discount offering.
Paramount Skydance takes Warner Bros to court to force the disclosure of shareholder information, arguing its bid is superior to Netflix’s.
A new presidency begins for the European Council, with Cyprus set to lead discussions on key media and cultural policies for the next six months.
Prime Video bets on bigger, bolder content strategies and major sports investments for the coming year to capture a larger market share.
The visual effects and production company Archipel Productions wins the Trophée César & Techniques 2026 for its technical achievements.
Director Paul Thomas Anderson bags Best Director at the 2026 Golden Globes for his latest film, One Battle After Another.
The consolidated pay-TV channel Cine+ OCS scales back its support for certain types of independent film acquisitions.
Disney+ makes first-window films the cornerstone of its new pre-buy strategy to drive subscriber engagement.
The Belgian Tax Shelter mechanism raised €149m in funding, confirming its vital role in financing audiovisual productions.
The European media giant Media Participations takes a 25% stake in the independent animation studio Miyu Productions.
Five key moments are set to shape Europe’s film and media landscape in the coming year, from regulatory shifts to major festivals.
Distributor Metropolitan sets the French release for the anticipated film The Drama for April 8, 2026.
The cinema chain Kinepolis launches a nationwide retrospective dedicated to French comedy icon Louis de Funès.
A new report analyzes how European cinema performs in France and the UK, highlighting distribution challenges in these key markets.
The exhibitor association Cinema United reiterates fears over the potential market impact of the ongoing consolidation between major studios and streamers.
In a bid to appeal to mobile users, Disney plans to introduce vertical video formats to its streaming app.
European public broadcasting comes under pressure as governments across the continent scrutinize funding models and mandates.
The streaming service HBO Max renews The Pitt for a third season following its successful run.
A parliamentary inquiry is launched into the structure and future funding of France’s public broadcasting sector.
The French animation industry comes under pressure as export numbers decline and sales to US buyers slow down.
With continued massive investment, Saudi Arabia emerges as an unavoidable partner for the global film industry and co-productions.

