https://www.dispatchmedia.co/p/high-advertising-standards-mergeLe Dispatchen2026-06-25T09:27:08+00:00High Advertising Standards Merge with Social Media Codes as Follow Group Eyes €35 Millionhttps://www.dispatchmedia.co/p/is-european-animation-the-king-ofLe Dispatchen2026-06-25T09:25:56+00:00Is European Animation the King of the Screen, or a Masterpiece in Search of Money?https://www.dispatchmedia.co/p/adult-animation-dominates-streamingLe Dispatchen2026-06-25T09:22:59+00:00Adult Animation Dominates Streaming Strategies Amid Shifting Demographics and Global Financial Criseshttps://www.dispatchmedia.co/p/is-tf1-still-lorgning-m6-or-are-theyLe Dispatchen2026-06-25T09:11:37+00:00Is TF1 Still Lorgning M6, or Are They Trapped in a Five-Year Engagement?https://www.dispatchmedia.co/p/is-european-animation-punching-aboveLe Dispatchen2026-06-25T09:08:47+00:00Is European Animation punching above its weight, or just lost in Hollywood’s shadow?https://www.dispatchmedia.co/p/teamto-and-the-tetris-company-partnerLe Dispatchen2026-06-25T09:07:03+00:00TeamTO and The Tetris Company Partner for Animated Series 'Tetris: World Builders'https://www.dispatchmedia.co/p/jour2fete-bets-big-on-aquacentricLe Dispatchen2026-06-25T08:52:58+00:00Jour2Fête Bets Big on Aquacentric Social Drama 'Miss Mermaid' as Its 2026 Summer Anchorhttps://www.dispatchmedia.co/p/parliament-war-balanant-fires-26Le Dispatchen2026-06-25T08:51:49+00:00Parliament War: Balanant Fires 26-Point Counter-Report to Defend Public Media from Right-Wing Strikehttps://www.dispatchmedia.co/p/why-french-tv-giants-covet-the-pitchLe Dispatchen2026-06-25T08:50:14+00:00Why French TV Giants Covet the Pitch-Black Freedom of Belgian Documentarieshttps://www.dispatchmedia.co/p/miyu-productions-greenlights-ogresseLe Dispatchen2026-06-25T08:47:14+00:00Miyu Productions Greenlights 'Ogresse': A Radical Jazz Musical Blur of 2D and Stop-Motionhttps://www.dispatchmedia.co/p/annecy-2026-why-french-animationLe Dispatchen2026-06-23T14:08:02+00:00Annecy 2026 : Why French Animation Is Forcing Big Tech to Payhttps://www.dispatchmedia.co/p/the-tv-to-youtube-freeze-why-broadcastersLe Dispatchen2026-06-23T13:41:10+00:00The TV-to-YouTube Freeze: Why Broadcasters Stumble When Courted by Content Creatorshttps://www.dispatchmedia.co/p/mifa-head-veronique-encrenaz-thisLe Dispatchen2026-06-23T13:39:35+00:00MIFA Head Véronique Encrenaz: "This Edition Will Reflect the Fragmented Reality of Our Industry"https://www.dispatchmedia.co/p/documentarians-drop-the-ai-tabooLe Dispatchen2026-06-23T13:37:45+00:00Documentarians Drop the AI Taboo at Sunny Side of the Doc, Turning to Content Creators for Survivalhttps://www.dispatchmedia.co/p/end-of-an-era-in-la-rochelle-documentariansLe Dispatchen2026-06-23T13:35:33+00:00End of an Era in La Rochelle: Documentarians Sound the Alarm Over Public Funding and AI Backdoor Scrapinghttps://www.dispatchmedia.co/p/oscar-nominated-i-lost-my-body-creativeLe Dispatchen2026-06-23T13:33:38+00:00Oscar-Nominated 'I Lost My Body' Creative Team Reunites for Xilam’s Adult Thriller 'Le Loup'https://www.dispatchmedia.co/p/french-tv-production-shrinks-43-asLe Dispatchen2026-06-23T13:31:56+00:00French TV Production Shrinks 4.3% as International Capital Flees Local Slateshttps://www.dispatchmedia.co/p/citia-chief-mickael-marin-annecyLe Dispatchen2026-06-23T13:29:37+00:00CITIA Chief Mickaël Marin: "Annecy Has Entered the Big Leagues of Category A Festivals"https://www.dispatchmedia.co/p/the-paradox-of-french-animation-artisticLe Dispatchen2026-06-23T13:27:37+00:00The Paradox of French Animation: Artistic Triumph Faced with a Funding Crisis